Saturday, March 21, 2020

English Isu Comparison Essays

English Isu Comparison Essays English Isu Comparison Essay English Isu Comparison Essay Essay Topic: All Quiet On the Western Front Equus Slaughterhouse Five When composing literary plants most. writers will hold that it is hard to compose a narrative without any inspiration. The authors will frequently hold some motivation. either from past experiences or something that can animate an thought for a novel. Although the novel can be fabricated it can still alter how society feels about a certain issue. The two novels All Quiet on the Western Front by Erich Maria Remarque and Slaughterhouse 5 by Kurt Vonnegut romanticizes what war is like. stressing thoughts such as glorification. horror. award. loyal responsibility. and escapade. The similarities include both writers have their feeling that the absurdness of war is morally incorrect. how soldiers act as playthings in the sandbox being played with higher governments. Both novels characteristic the society of immature work forces to be controlled and sent to their death with small hope. The differences between the two novels is that both novels feature a different attack on how the novel flows. Vonnegut moves the narrative in humourous mode whereas Remarque tells it in a serious mode. The obvious comparing when researching the two novels is the facet that they are antiwar novels. In Slaughterhouse 5. Vonnegut is seeking to show his point of position. or rock the readers to understand the negative belongingss of war since the firebombing of the German town Dresden during World War II. The supporter Billy Pilgrim is the antiwar hero because he does non suit the description of the usual war hero. He didn’t expression like a soldier at all. He looked like a foul flamingo ( Vonnegut. 33 ) Billy’s character is a customary figure of merriment in the American Army. Billy is no exclusion. He is powerless to harm the enemy or to assist his friends. He wears no decorations. his physical visual aspect and physique is a jeer and his religion in loving Jesus troubles most soldiers. ( Lichtenstein ) Vonnegut realizes that war is inevitable. it’s like decease. Even if Billy were to develop difficult. have on the proper uniform. and be a good soldier he might still decease like the remainder of the others in Dresden. Billy lives in a life with indignity and is non afraid of decease. and in conformity to the Traflamadorian doctrine of accepting decease. By expressing the phrase so it goes the storyteller points out the meaningless slaughter after every decease. no affair how dry. sarcastic or random. On the 8th twenty-four hours. the tramp died. So it goes. His last words were. You think this is bad? This ain’t bad. ( Vonnegut 79 ) But the tapers and soap were made from the fat of rendered Jews and Gypsies and faeries and Communist and other enemies of the province. So it goes ( Vonnegut. 96 ) Billy ever sees decease coming. but nil he can make about it. In chapter 10. at the terminal of fresh Vonnegut shows the reader how there is nil intelligent to state after the slaughter of Dresden. Billy and the remainder wandered out onto the fly-by-night street. The trees were flicking out. There was nil traveling on out at that place. no traffic of any sort. There was merely one vehicle. an abandoned waggon drawn by two Equus caballuss. The waggon was green and coffin-shaped. Birds were speaking. One bird said to Billy Pilgrim. Poo-tee-weet? ( Vonnegut. 215 ) It is obvious when everyone is dead it is suppose to be quiet. but the bird who says Poot-tee-weet? symbolizes the deficiency of anything intelligent to state about war. It is the lone appropriate thing to state. since no words can depict the horror on the firebombing of Dresden. Erich Maria Remarque’s All Quiet on the Western Front presents its reader with the rough world of war. The fresh sets out to portray war and the existent experiences. replacing the romantic image of glorification and gallantry with a unquestionably unromantic vision of panic. amour propre. and slaughter. The fresh takes topographic point during World War I and in the position of a German soldier. Paul Baumer the supporter. Stylistically the fresh consists of short chapters that symbolize the speedy gait of decease in the novel. For illustration in chapter one Remarque already introduces the hurting and torment of loss in friendly relationship. ( Ward ) For illustration in chapter one. Kimmerich being one of the four friends of Paul dies while being brought back from the trenches. ( Remarque ) Remarque smashes any positive ideas the reader may hold about warfare in his descriptions. It is impossible to hold on the fact that there are human faces above these lacerate organic structures. faces in which life goes on from twenty-four hours to twenty-four hours and on top of it all. this is merely one individual military infirmary. merely one – there are 100s of 1000s of them in Germany. France. and Russia. How unpointed all human ideas. words and workss must be. if things like this are possible! Everything must hold been deceitful and pointless if 1000s of old ages of civilisation weren’t even able to forestall the river of blood. Merely a military infirmary can demo you what war truly is ( Remarque. 186 ) It seems that the feeling of war is non honor or glorification yet it is enduring of those who are take parting. Because All Quiet on the Western Front is set among soldiers contending on the forepart. one of its chief focal points is the detrimental consequence that war has on the soldiers who fight it. How one’s ideas on the war can destroy the past experiences with a rough focal point on the physical and mental harm done. The work forces in the novel are invariably subjective to physical danger. Literally the soldiers can be blown to pieces at any clip. This menace causes harm done to the encephalon and triping a mental image. coercing soldiers to see fright during every minute of their clip on the forepart. We became tough. leery. hard-hearted. vindictive and unsmooth. if they had sent us out into the trenches without this sort of preparation he likely most of us would hold gone mad ( Remarque. 19 ) Likewise in Slaughterhouse 5 Billy Pilgrim didn’t receive the proper preparation that driven him into the extremum of insanity. And the lone manner to last for both Billy and Paul is to unplug themselves from their feelings. and accept the conditions of their life. We want to populate at any monetary value ; so we can non burthen ourselves with feelings which. though they may be cosmetic plenty in peacetime. would be out of topographic point here. ( Remarque. 123 ) In Billy’s instance he uses the semblance of clip travel to get away his ideas in the Slaughterhouse 5. Additionally to the similarities of both novels being antiwar novels. there is an thought that the writers highlight the coevals of immature work forces being drafted to the war. Remarque’s All Quiet on the Western Front gives accent on the peculiar affect war has on the immature work forces who have non been given the opportunity to see life. Paul’s character represents the immature coevals of work forces who went directly from childhood into World War I. Paul describes his fellow soldiers: he. Leer. Muller. and Kropp are all 19 old ages old. They are from the same school. same categories. and each enlisted into the ground forces voluntary. ( Remarque ) They are from one of the freshly rise regiments. about entirely immature work forces from the latest age group to be drafted. They’ve had barely any preparation. nil more than a spot of theory. ( Remarque. 93 ) The war alterations Paul’s attitude about the universe and about humanity. He believes the war becomes non simply a traumatic experience or a adversity to be endured but something that really transforms the kernel of human being into eternal agony. ( Ward ) The longer that Paul survives the war. the more that he hates it. the less certain that life will be better for him after it ends. ( Ward ) The war teaches the coevals of immature work forces the effects of patriotism and political power. Tools used to command the states population. Coercing them to believe in what is right . Throughout Paul’s experience he realizes that the soldiers that fight on the forepart are non contending for the state but contending for their ain endurance. to kill or be killed. Additionally. Paul and his friends do non see the opposing fraction to be their existent enemies. I didn’t want to kill you. copulate. If you were to leap in here once more. I wouldn’t do it†¦ But earlier on you were merely an thought to me. a construct in my head that called up an automatic response – it was that construct that I stabbed. It is merely now that I can see that you are a human being like me. I merely thought about your hand-grenades. your bayonet and your arms – now I can see you married woman. and your face. and what we have in common. Forgive me comrade. how can you be my enemy? If we threw these uniforms and arms away you could be merely every bit much my brother as Kat and Albert. ( Remarque. 158 ) In his position. the existent enemies are the work forces in power in their ain state. who they believe have sacrifice them to the war merely to increase their ain power and glorification. At the terminal of the novel. about every major character is dead. typifying the war’s lay waste toing consequence on the coevals of immature work forces who is force to contend in it. Slaughterhouse 5 besides portrays an first-class illustration of immature work forces traveling to war go forthing back a life behind to laud the nation’s good being. Billy Pilgrim is merely 20 old ages old when he enters the war. During his station war life he attended dark Sessionss at the Ilium School of Optometry. ( Vonnegut ) As he progresses throughout the events he encounters other soldiers who are similar in age. Roland Weary was merely 18. was at the terminal of an unhappy childhood ( Vonnegut. 35 ) Two of the Germans were male childs in their early teens ( Vonnegut. 52 ) The differences seen in the two novels is that Remarque’s All Quiet on the Western Front moves in a really serious and descriptive manner. Unlike Vonneguts Slaughterhouse 5 Remarque illustrates every decease with usage of slaughter and Gore. Every conflict scene characteristics barbarous force and bloody descriptions of decease. We see work forces travel on life with the top of their skulls losing ; we see soldiers travel on running when both their pess have been shot away- they stumble on their seceding a full half-mile on his custodies. dragging his legs behind him. with both articulatio genuss shattered. We see soldiers with their oral cavities losing. their lower jaws losing. with their faces losing ; we find person who has gripped the chief arteria in his arm between his dentitions for two hours so that he doesn’t bleed to decease. The Sun goes down. dark falls. the shells whistling. life comes to an end ( Remarque. 97 ) Hospital scenes portray work forces with serious lesions that go untreated because of deficient medical supplies. Paul carries the hurt Kat on his dorsum to safety. merely to detect that Kat’s caput was hit by a piece of shrapnel while Paul was transporting him. The descriptions of rat-infestation. famishment. conditions conditions. and trench warfare. and how it forces the soldiers to populate in these disquieted conditions. ( Remarque ) Remarque’s novel dramatizes facets of World War I and how the development of engineering ( trenches. heavy weapon. chlorine gas ) was a major influence that made killing easier. Continuous fire. defensive fire. drape fire. trench howitzers. gas. armored combat vehicles. machine guns. hand-grenades – words. words. but they embrace all the horrors of the universe. ( Remarque. 68 ) Vonnegut’s Slaughterhouse 5 moves the narrative in a scientific discipline fiction procedure filled with temper and sarcasm. First of all the thought of Billy being unstuck in time . Billy travels indiscriminately through the minutes of his life without control over his chronological finish. ( Lichtenstein ) Time travel leads to instability in the novel. as Billy is seeking to do sense in his life giving an experience that no 1 can understand how Billy truly feels. He clip travels in order to get by with his life and all he has been through. In chapter two. Vonnegut instantly tells the beginning. in-between. and stoping of the narrative right off. Vonnegut enchants the subject of novel by adding Tralfamadorians ( Vonnegut’s wit of toilet-plunger molded Aliens ) and how they abducted Billy into their starship and learning Billy the doctrine of clip and decease and discoursing whether free will be. ( Vonnegut ) Witty temper and sarcasm is a factor in the class of the novel. for case. Weary socked Billy a good 1 on the side of his jaw. knocked Billy off from the bank and onto the snow covered ice of the brook. You shouldn’t even be in the Army. said Weary. Billy was doing involuntarily doing spasmodic sounds that were a batch like laughter. You think it’s good story. huh? But so Weary saw that he had an audience. Five German soldiers and a constabulary Canis familiaris on a cilium were looking down into the bed of the brook. The soldiers’ bluish eyes filled with a blear-eyed civilian wonder as to why one American would seek to slay another American. and why the victim should laugh ( Vonnegut. 51 ) Ironically. of the four original soldiers. Billy is the lone 1 who remains alive. yet he is the most improbable one to make so. In decision. in malice of the differences between Remarque’s All Quiet on the Western Front and Vonnegut’s Slaughterhouse 5 both novels convey the same message Whether the readers view Slaughterhouse-Five as a science-fiction novel or a autobiographical statement. and All Quiet on the Western Front the reader can non disregard the destructive belongingss of war. since the ruinous firebombing of the German town of Dresden during World War II or the awful Acts of the Apostless of World War I including trench warfare. Both novels suggest the same decision about war and how it ends quiet . By stressing the bird that whispered Poot-tee-weet towards Billy. Or the decease of Paul Baumer’s Nothing new to describe on the western front ( Remarque. 207 )

Wednesday, March 4, 2020

Jake Drake Bully Buster Chapter Book About Bullying

Jake Drake Bully Buster Chapter Book About Bullying Jake Drake Bully Buster: Summary In Jake Drake Bully Buster, author Andrew Clements focuses on a problem too many kids have to cope with: bullies and bullying. What do you do if youre a bully-magnet? Thats Jakes problem in the chapter book Jake Drake Bully Buster. Fourth grader Jake Drake tells the story of how he went from being a bully-magnet starting in preschool to becoming a bully buster in second grade. Jakes experiences not only make an entertaining story for 7-10 year olds, they also provide a lot of food for thought. Why Jake Was a Bully-Magnet Jake begins his story with tales of all of the bullies who bullied him before second grade, starting when he was a 3-year-old and continuing through preschool, kindergarten and first grade. Jake figures he has these bully-magnet characteristics: Hes small but not so small that he doesnt represent a challenge, he doesn’t have an older brother or sister to defend him, he’s not the type to complain, and he looks â€Å"brainy.† Interestingly, these dont change as Jake goes from being a bully-magnet to a bully buster. Instead, Jakes experiences in second grade change him. Jake and the Grade A, SuperBully Jakes says he didn’t become a bully buster until second grade and then, only after â€Å"being picked on by a Certified, Grade A Super Bully.† Second grade starts out wonderfully. Jake likes his teacher, Mrs. Brattle. There are no bullies in his class, although he still has to watch out for bullies on the playground and in the lunchroom. However, when a new student, Link Baxter, whom Jakes quickly learns is â€Å"a Certified, Grade A Super Bully,† joins the class. Link continually picks on Jake at school and on the school bus. The first time it happens, Jake is so upset that when he gets home he bullies his little sister until his mother stops him, saying, â€Å"What’s gotten into you!?† Jake realizes that â€Å"It was Link. Link had gotten into me! I was being like Link. I had caught BULLYITIS!† When he apologizes to his little sister, she tell him that Link’s sister is in her class, and she is a bully like her brother. Jakes Attempts to End the Bullying Jake decides to try acting like Link’s bullying doesn’t bother him. When Link makes fun of him on the bus, Jake acts like it’s a joke. All day, Jake tries to act cook when Link bothers him, but this only makes Link bully him more. Finally, Link splashes water on Jake so it looks like Jake wet him pants and proceeds to mock him, â€Å"Wook, wook! Wittle Jakey had an accident!† Jake get very mad and can tell Link is pleased about that. Jake is so mad that he hits Link, who acts like he has a terrible injury. Link gets sent to the nurse’s office for ice and sympathy and Jake was sent to the principal’s office. Afterwards, when he and Link meet in the hallway, Jake asks Link why he bullies him and Link doesn’t have an answer. Jake decides, â€Å"†¦if I could figure out that reason – or if I could give him a reason NOT to be a bully – then Link Baxter, SuperBully, would become Link Baxter, Ex-SuperBully.† From Bad to Worse Leads to New Insights Things go from bad to worse when Jake’s teacher decides that everyone in the class has to work in pairs on a Thanksgiving project, and she assigns Jake and Link to work together. Their assignment is to do a project about how Native Americans lived. Jake is appalled, but Link thinks it’s funny and tells Jake that he’s going to have to do all the work. Jake prepares the report but keeps hoping Link will help so they have something to show the class. When the day before the project is due Link tells Jake to do that also, Jake is so mad that he refuses. Link tells him to come over to his house after school so they can make something. At Link’s house, Jake learns two surprising things about Link: Link is skilled at creating models and dioramas and his older sister bullies him. He also learns that when Link is involved in model making, it’s like he’s one of the kids instead of a SuperBully. In fact, according to Jake, â€Å"When he forgot I was there, he had a different face from his bully face, Not mean. Almost nice.† The visit to Link’s house gives Jake a lot to think about, but he’s still not sure how to make Link stop bullying him. Everything Changes With Jakes Good Choices Everything changes again when it is time for Jake and Link to give their project report. Jake finds out that Link has stage fright about doing the presentation. Rather than pay Link back for all Link has done to Jake by humiliating Link in front of his classmates, Jake covers for him. He tells Link he will give the report and Link can point out things in the diorama he made. Their project is a big success, but the best outcome is that Link no longer bullies Jake and Jake realizes that by getting to know the real person â€Å"behind those mean eyes and that bully-face,† he can be a bully buster rather than a bully-magnet. Throughout the book, Jake reacts to the bullying in different ways, not all of them appropriate. He quickly learns that bullying others, being mean, and hitting the bully are all not the responses he wants to, or should, make. As time passes and he learns more and more about the bully, Jake begins to make better decisions: standing up to Link and refusing to finish the project by himself, covering for Link when it’s time for their presentation and acknowledging Link’s model-building skills in front of the class. Its the fact that Jake is essentially a good kid who is willing to take the time and thought to look beyond the bully-face to the person within that enables him to become a bully buster. Jake Drake Bully Buster: Guide Recommendation I recommend Jake Drake Bully Buster for independent readers in grades 2-4. It is also an excellent classroom or family read aloud. At under 90 pages, it is a quick and enjoyable read, but it also has some substance and can easily and effectively be used as a bullying discussion prompt. The Jake Drake series includes a total of four books about the fourth graders experiences st school, and I recommend them all. (Atheneum Books for Young Readers, Simon Schuster, 2007 reprint edition. ISBN: 9781416939337) Additional Resources About Bullies and Bullying From About.com Dr. Vincent Iannelli, the About.com Pediatrics Expert, provides statistics about bullying and some of the signs of bullying parents should look for in his article Bullying and Bullies. For information about cyberbullying, see A Parents Guide to Cyberbullying. For picture books about bullies and bullying, see my reviews of Each Kindness, Oliver Button Is a Sissy and The Bully Blockers Club. For a list of books about bullying for older kids, see Bullies and Bullying in Books for Kids to Teens.